Castro muscle bears have nothing on three-time Olympian Cheryl Haworth! “It takes mass to move mass.” That’s what Cheryl, an Olympic Weightlifter who holds the records as the strongest woman in the western hemisphere, has to say about her size. Cheryl is a big woman—a big, strong, healthy woman—and her effervescent gravitational pull far exceeds her size.

Cheryl’s vitality and wit shine through in the first half of the film. In the second act, injury and self-doubt coincide with concerns about her body. What she once saw as a tool for succeeding in the sport she loves, she now sees as a hindrance to a life of love and attraction. Like so many struggles for self-acceptance, Cheryl’s issues are unresolved at the end of the film. That, in itself, is a stark reminder of the power of documentary to capture only a brief snapshot of a larger life.

Director Julie Wyman (A Boy Named Sue, Frameline24) and producer Vivian Kleiman (Tongues Untied) ask us to push our boundaries of what we define as “queer film.” In a community where body image and definitions of femininity are so tied up in identity, Cheryl’s experiences challenge the audience to reconcile societal notions of health and beauty with the healthy, beautiful woman on screen.



The Naked-Boy Business, Pt. 2, dir Andre Hereford 2011 USA 5 min
A dream-like confession set to music—two wrestlers, kicked off their team for posing nude, bare their souls and brave the consequences.

Co-presented by:
BAWIFM - Bay Area Women in Film and Media
ITVS - Independent Television Service

Get the Frameline Festival App

A festival in your pocket

FilmFest is a simple, easy to use pocket guide to all the films in this year's festival.

Frameline36 app available now!